War: A Review of a Masala Action Movie

     Terrorism is a global menace. This has been a constant theme of many Hollywood and Bollywood movies. The recent hype created around the movie War is no exception to this fact. This Siddharth Anand action flick has all the masala for a popular bollywood movie. The USP of the film is not the plot or the story but the action scenes. Just like his previous venture Bang Bang!, Anand has attempted another action filled drama thriller under the banner of Yash Raj Films.

     The story revolves around the duo of the intelligence wing of Indian armed forces, Kabir (Hrithik Roshan) and Khalid (Tiger Shroff). Kabir is a seasoned officer who is on the hunt of the most wanted terrorist Rizwan Ilyasi aka Firoz Contractor and his peers. In the course of his investigation Kabir finds out that one of the army officers, his superior and an eminent scientist are assisting Rizwan Ilyasi in his anti-India activities including destroying the Indian defense satellite. Kabir realizes that he cannnot destroy the these enemies of the nation being a part of the system which they dominate, therefore, goes rogue and vows to kill each one of them. But in one of his operations to catch Ilyasi his close aide, Sourav, betrays him and saves Ilyasi. Sourav is chased down by Khalid but it is Khalid who in the end turns out to be the fourth aide of the Ilyasi gang of terrorists. Only in the end it is found that through plastic surgery Sourav is given the face of Khalid to dupe Kabir.

     The plot seems repetitious of other films based on counter-terrorist activities by the intelligence agencies. Salman Khan has already played such roles in past in "Tiger" series. This film tries to show that patriotism is above all relations and affiliations through the character of Khalid whose father, Major Rahman, went rogue in the past and was killed by Kabir himself. That is why Khalid is adamant in his efforts to clean the blot on his family's name through his sincere and intense service to nation. Though Kabir doubts his intentions first, however, with the insistence of his superior (Ashutosh Rana) he allows him to be the member of his team. Also, Khalid's alacrity and prowess in the operation in Iraq impresses Kabir and bring them close to each other.

     Anand has tried to present a never experienced action visuals to the audience and is partially successful in doing so. The action scenes of operations in Iraq, the aeroplane stunt, the bike chase, car chase are some of the attractions of the film. I found the Iraq operation episode specially interesting. The cinematography reflects the hard work and dedication put in to give finesse to the action scenes. the two songs, "Ghungroo toot gaye" and "Jai Jai Shiv Shankar" are already hit songs in the chart-busters. There are scenes shot in Australia, Portugal and other countries. The movie revolves around Hrithik and other actors like Tiger and Vaani Kapoor are overshadowed. Although Tiger has significance as a character in the film, Vaani (as Naina) has a little but important role to play in the movie as a beloved of Kabir.

    Thus, with Hrithik's looks and action stunts, this movie is a one time watch. The plot is loose but the visuals may cover up for that if you are not bothered much about logic behind scenes and sequences in watching a Bollywood movie. There is action, love, romance, and peppy songs which could be a reason to go to theatre in the weekend. I would give 3.5 stars to the movie. What about your viewing experience?



     

Rambo: Last Blood Movie Review- An Exhibiton of Raw Power!

     This week released Sylvester Stallone's apparently the last sequel of the Rambo franchise. The series began in 1982 with First Blood which brought the actor huge popularity across the world. Stallone from then on built a reputation of an action hero. The same strain of an angry, violent and powerful character of a fighter finds a superlative echo in Adrian Grunberg film, Rambo: Last Blood.

     The opening shows John Rambo as a saviour to people stuck in heavy rainfall in Arizona region of the United States. The Post Traumatic Stress Disorder patient Rambo is seen recollecting his past failures to save his own people in wars. This leads John Rambo to struggle in establishing a connect with people. But in 'Last Blood' he has finally found his feet on American soil, and a family in Maria (Adriana Barraza) and her granddaughter Gabrielle (Yvette Monreal). John has inherited his father's farm in Arizona which he lives on with the two women. In Gabrielle he has found a daughter. However, Gabrielle's obstinacy to meet her father, Manuel, in Mexico lands her into trouble. She goes to Mexico without the permission of her uncle John and the grandmother to meet Manuel who had abandoned Gabrielle in childhood leaving her mother to die of cancer. Gizelle, her friend in Mexico, takes her to the place where Manuel lives. Snubbed by her father again, Gabrielle, in despair, goes to a pub with Gizelle where she is trapped by the agent of a drug and sex racket. Rambo then goes to Mexico himself to rescue his niece and enters the compound of Victor Martinez, the operator of a drug and sex mafia, where Gabrielle and other girls are captivated. However, Rambo is beaten almost to death by the goons although left alive. Carmen (Paz vega), a journalist saves Rambo's life. In his second attempt to rescue Gabrielle, John succeeds to find her and takes her away to the U.S. but drug overdose takes her life away. This makes Rambo furious and the revenge begins which ends in Rambo's victory over the perpetrators.

     There is never a dull moment in the 90 minutes film. However, the violence is of extreme level. The Mexican goons are lured by John to enter into his territory where he has built the plan to "draw the last blood". The tunnel, the weapons and the classic Stallone bow and arrow action scenes give a real experience of guerrilla warfare in which Rambo has been at his best in all the previous sequels. One incident defies logic where the criminals leave John alive in Mexico in their first encounter with him. Besides, even at 73 Stallone has performed the action scenes brilliantly!

     The diegetic sounds are effective though I watched the 2D version of the film. The camera angles are emphatic enough to show the depleted boy parts and severed limbs and legs! The last scene is outrageously violent in which John slits the chest of his enemy and takes the heart out! Further, the stereotyping of Mexico as a hub of crime and mafias could be debated (follow the link for further information- https://fas.org/sgp/crs/row/R41576.pdf). But drug abuse and human trafficking is a serious matter of concern for any country. Overall, the movie succeeds in presenting John as a warrior having never-say-die attitude.

    Thus, the film is a good one time watch; and if you are a Sylvester Stallone fan, you can watch it many times. Viewers discretion is also advised due to the range of violent scenes. I would give 3.5 out of 5 stars to this film. What do you think of the 'Last Blood'? Well go and watch and let me know in the comment section below!

Section 375: A Movie Review for the Sapio-patient Audience

          Certainly rape is a horrendous crime and the movie Section 375 directed by Ajay Bahl takes up the issue very intelligently that triggers intellectual, emotional and, most importantly, legal response. Akshaye Khanna (as Tarun Saluja), as a renowned criminal lawyer, steals the show with his performance while other actors satisfactorily play their roles. As per the Section 375 of The Indian Penal Code rape occurs under the following circumstances -

    First. Against her will.
Secondly. Without her consent.
Thirdly. With her consent, when her consent has been obtained by putting her or any person in whom she is interested, in fear of death or of hurt.
Fourthly. With her consent, when the man knows that he is not her husband and that her consent is given because she believes that he is another man to whom she is or believes herself to be lawfully married.
Fifthly. With her consent when, at the time of giving such consent, by reason of unsoundness of mind or intoxication or the administration by him personally or through another of any stupefying or unwholesome substance, she is unable to understand the nature and consequences of that to which she gives consent.
Sixthly. With or without her consent, when she is under eighteen years of age.
Seventhly. When she is unable to communicate consent.

(https://indiacode.nic.in/handle/123456789/2263?view_type=browse&sam_handle=123456789/1362)

The film largely revolves around the first two clauses which stresses on the will and consent of the victim. However, the plot is inclined to argue on the false rape charges that allegedly many women frame due to several legible or illegible reasons.

          The story is about a film director Rohan Khurana (Rahul Bhat) and his assistant costume designer Anjali Dangle (Meera Chopra). The latter accuses the former with rape charges. The gravity of situation rises because of the public outrage against the accused. In the Session's Court, the rape charges are confirmed and proved with evidences in favour of the prosecution. However, in the hands of 'learned' defence lawyer Tarun Saluja, the case takes a different turn in the High Court. Senior Advocate Saluja convinces the court with his investigation and observations that the rape never happened and the victim is playing foul with the court. With fiery and passionate prosecutor, Hiral Gandhi (Richa Chadha), the proceedings in the courtroom see-saw to highlight the loopholes in police investigation and limitations of law to deliver justice. The movie ends with law taking its course with the High Court upholding the Session Court's judgement sentencing the accused of 10 years of rigorous imprisonment.

          The tempo of the film during the trial scenes require patience to understand the intricate issues regarding the Section 375 and 376. Ajay Bahl, who has previously directed the movie B.A. Pass, is known for his ability to handle complex and controversial social issues. In the present film, he has taken a critical stance on the #Metoo movement and the incidents of false rape charges. He presents the beginning in such a way that creates a little doubt regarding Anjali's resistance to the sexual advances of her boss (Rohan Khurana) when she is in his flat to show the designed costumes. But in the courtroom the same incident is recited by Anjali where she asserts that she resisted a lot to stop him from molesting her. From that point on it starts becoming clear that the victim is misleading everyone and using the rape laws to take revenge on her boss with whom she was having an affair which ended in a mess.

          

          The message is clear that the laws can be misused and justice cannot be done always in all cases. Tarun Saluja mentions that the lawyers do not do business of justice but business of law. It is the law that stands supreme. The jurisprudential debate over the law and equity can be traced in the plot of Section 375. The trial scenes are shot beautifully and reflect the filmmaker's intent. However, I found a glitch in one scene where the defence lawyer plays a trick of playing a blank hard-drive containing the footage of sexual intimacy between Rohan Khurana and Anjali Dangle. That particular scene weakens the fabric of the trial scene sequences. And another lacuna cannot go unnoticed that there is no CCTV camera in the staircase of the residential complex where the said 'rape' happens!

          IPC Sections 376 entails punishment for rape and states that "whoever being in a position of control or dominance over a woman, commits rape on such woman shall be punished with rigorous imprisonment for a term which shall not be less than ten years, but which may extend to imprisonment for life, which shall mean imprisonment for the remainder of that person's natural life, and shall also be liable to fine" (ibid). Under this particular subsection [2(k)] of Section- 376 (including 375 & other IPC Sections), and Anjali Dangle's own statement, the accused Rohan Khurana is sentenced for 10 years of imprisonment in the film.

          Thus, in the end the film leaves us with questions to ask ourselves and the society that can strict laws stop rape? Or do such laws also carry the danger to be misused by women which are made to protect them? Well, you must watch the movie to understand the issue further and make your own judgement! I would give 4 stars out of five to this Ajay Bahl socio-legal flick.

Happy watching :) 

Opiumcracy in Largest Democracy

For the people, by the people, of the people!
There is a lack of sense nowadays. Sense? Yes, 'sense and sensibility'. The largest democracy in the world is going to face a festival coming year known as elections. And the preparaton for the same has begun. The leaders of different political parties have already started campaigning keeping in view the state elections. The countrymen are looking for a leader. but how will they find a leader if they are not allowed to see beyond what they are made to see. The sense of 'seeing' has come under the influence of "opium". The "opium" which denies one to 'sense' and allows to shed one's 'sensiblity' to other's existence.

The chant of the Opium attacks the senses in such a manner that it turns out to be difficult for the masses to realize the goodness in being unaffected by needless Opium identity which brings pomp and show every time there is a rally or a public address by the political (so called)leaders. It is not about having the sense of left, right or centre, however, it is about understanding the present and learning from the mistakes of past committed under the influence of Opium.

It is hight time, as has been said by many before this, that we try to save democracry from the omnipotent Opium that may engulf the future of the country in utter darkeness. The leaders are there to turn the above quoted axiom on its head. But we have to be empirical to unmake the beckoning ideology, for the Opium, by the Opium and of the Opium.